stillmacro.blogg.se - Best software for color correction

#Best software for color correction update#
#Best software for color correction mac#

In this post, we are going to explain what color correction means in video editing.

#Best software for color correction mac#

This is why a RED workflow is a superior workflow.5 Best Video Color Correction Applications on Windows and Mac OSĭo you want to make you video footage look more vibrant, more accurate, or better fit the mood and theme of your subject? You will need to correct color of your video to accomplish all these goals. This also means that these two steps can happen at the same time and save huge amounts of time so that by the time editorial is done, primary color corrections are as well leaving secondaries and look grading to finishing in Davinci Resolve.

#Best software for color correction update#

The huge benefit of this workflow is that if one changes the color of a clip anytime from here on out in RCX, the clip will update the corrections in real time in FCPX editorial and VFX AE/C4D. The footage is now prepped for editorial in FCPX and VFX selects in AE and C4D. We ingest the RED mags to our XSAN and run all the clips through Red Cine X for initial primary corrections –contrast, blacks, saturation, whites and propagate that new metadata in the RMD's. Editorial uses FCPX, VFX uses After Effects and C4D, and I do initial correction in RCX and then finish color in Resolve. Share your preferred color grading tools and workflows with us down in the comments!Īt our in-house production and post-production company, we shoot 90% RED with some FS700 and other rented gear. I just find the Resolve interface to be far more intuitive, which ultimately ends up saving me time in my post process.

Otherwise, I gravitate towards DaVinci Resolve for a vast majority of my color work, even despite the fact that I cut in Premiere and roundtripping with SpeedGrade would be the most practical solution.

Personally, I only find myself using the built-in color tools in Premiere if I need to do something extremely simple and quick, like correcting white balance or adding a preset look from SpeedGrade.

I use RAW converters only if I’m using a specific camera and I need to create looks, dailies, etc., or I need to handle metadata.

If all shots need to be graded, or if I’m shooting RAW or Log footage, then I will use Speedgrade (or Resolve, if that’s what you prefer).

Too bad I have to go back and forth for each clip.

If the above holds true, but not all shots need to be graded, I use Color Finesse.

If I’m compositing, keying, etc., and the same holds true as above, then I use the built-in tools or plugins in After Effects.

If I don’t have time to leave the NLE, or if the client isn’t paying for grading, I choose built-in tools or plugins.

In a recent post over on Wolfcrow, Sareesh laid out just about everything that you'd need to consider in order to make that choice a bit easier. With so many options, there's a whole lot to consider when you're trying to choose the one (or more) color tools that are best suited to your individual workflow. There are quite literally hundreds of software tools available today that offer some semblance of color functionality, whether it be RAW converters, film emulation plugins, standalone color applications, or even the the tools built natively into all modern NLEs. With that out of the way, let's talk about color correction - more specifically, the tools necessary for performing color correction. If you're wondering whether any hypothetical workflow will work for you, Wolfcrow is always a great place to start researching.

Wolfcrow is here to help.įirst and foremost, for those of you who aren't familiar with Sareesh Sudhakaran's blog Wolfcrow, it's a literal goldmine of information about every kind of filmmaking workflow imaginable, everything from ingest and logging workflows to grading, mastering, and archival workflows. In fact, there are so many that figuring out which one is best suited for your individual post workflow can be completely overwhelming. There are countless methods and tools for color correcting and grading your footage.